Practice of the Wild, Video


practice Practice of the Wild, Video

I’m lucky enough to have gotten to know both Gary Snyder and Jim Harrison over the years — I studied with Gary at UC Davis where we were also both involved in the Art of the Wild workshops at Squaw Valley, and Harrison, well, we have a bunch of friends in common, and he’s a neighbor here in Livingston. I actually first met Harrison when he came to Davis to do a reading and to visit Gary. Snyder was teaching a course in Zen and Chinese, Japanese and American poetry — it was one of those courses where several professors sat in, including Alan Williamson who used to gently chide us when we turned the Romantic poets into straw men for our arguments. Harrison came to visit, and then years later, when we ran into one another again here in Livingston, it’s that class that still stands out. That one course was worth all those years in grad school, all the hassle and pain and even the thousands of dollars I’m still paying off.

One reason Harrison came to Davis that spring was that he and Gary have been corresponding since 1965, about Zen, and poetry, and all the rest of it. Will Hearst had them down to his spectacular chunk of the California coastline and filmed them pretty much just walking around and talking to one another. The movie’s available on Amazon now, and it’s only $19 dollars, so I went ahead and bought a copy. And while I wish they’d gotten a little more of both writers’ humor in to the piece, it’s well worth investing in a copy if you’re interested in Zen, or the California school of poetry, or the challenges of representing nature in the written word, or Harrison or Snyder.

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Bookslut Column: Mushroom Cookbooks

mushroombook Bookslut Column: Mushroom Cookbooks

My new Bookslut Column is up: The Magic of Mushrooms, in which I gush even more about mushroom hunting, and review the following books: The Complete Mushroom Book: Savory Recipes for Wild and Cultivated Varieties by Antonio Carluccio, MUSHROOM FEAST: A Celebration of all Edible Fungi, Cultivated, Wild and Dried, with Recipes by Jane Grigson, and The River Cottage Cookbook by Hugh Fearnley-Whittingstall.

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New Bookslut Column

theoryBeard New Bookslut Column
My new cookbook column is up at Bookslut. And weirdly enough, it’s on a similar topic as the Bourdain Techniques show I also wrote about this morning. Here’s a little excerpt:

There are a lot of cookbooks that wash up at my door these days, and while they’re all interesting, most of them are just full of recipes. Often, they’re interesting recipes, and many times they are recipes I’d like to eat if someone served them to me, but I’m probably not going to go out and source them just to cook one recipe. What I want are more cookbooks that teach me how to get away from recipes, and just to cook.

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Lit News and Reading Roundup

IMG 0246 225x300 Lit News and Reading Roundup

I’m sure no one will be surprised to learn that my major decorating theme around here is piles of books. I have bookshelves, and even a wee library in my basement office, but the books, they still seem to pile up.

So here are a few things I’ve been reading lately:

  • This terrific article about how the David Foster Wallace archives found a home at the Ransom Center in Texas.

    We had our first glimpse into Wallace’s creative process in 2005 with our acquisition of the papers of Don DeLillo. Unexpectedly, the archive included a small cache of letters between Wallace and DeLillo, a correspondence initiated by Wallace when he was struggling through his colossal novel, Infinite Jest. Wallace’s letters show a writer who was deliberate, funny, and often uncertain, but most clearly, they show a writer who took painstaking care with his art.

  • The Boston Globe has Adrienne Rich on Elizabeth Bishop’s The Complete Poems, 1927-1979. Of Bishop, Rich says:

    In particular I am concerned with her experience of outsiderhood, closely—though not exclusively—linked with the essential outsiderhood of a lesbian identity; and with how the outsider’s eye enables Bishop to perceive other kinds of outsiders and to identify, or try to identify, with them. I believe she deserves to be read and valued not only for her language and images, or for her personality within the poems, but for the way she locates herself in the world.

  • Meanwhile, the Times of London has Jeanette Winterson on Lyndall Gordon’s new book Lives Like Loaded Guns: Emily Dickinson and Her Family’s Feuds. Winterson cuts right to the chase, as always:

    This most reclusive of poets, unmarried, virtually unpublished in her lifetime, knew who she was and fired that knowing through her poetry. Everyone had a stake in inventing her, including her brother, sister and sister-in-law. Her wild truthfulness was unsettling; it was easier to turn from the authenticity of the poetic blast towards a fictional person who could be offered up as a softer, simpler explanation.

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    Virginia Woolf Speaks

    A seven minute recording of Virginia Woolf (with thanks to Paul Lisicky for the re-tweet). Paul says she doesn’t sound like the Woolf in his head, but I’m afraid she sort of does sound like the Woolf in my head. Or some combo of this and Vanessa Redgrave’s Mrs. Dalloway.

    It took me a long time to come to love Woolf’s work. If you’re not a fan, I recommend the letters — she’s scathingly funny and an unrepentant gossip.

    MOBYLIVES » “Words, words, words” as Hamlet lamented…..

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