Lit News and Reading Roundup

IMG 0246 225x300 Lit News and Reading Roundup

I’m sure no one will be surprised to learn that my major decorating theme around here is piles of books. I have bookshelves, and even a wee library in my basement office, but the books, they still seem to pile up.

So here are a few things I’ve been reading lately:

  • This terrific article about how the David Foster Wallace archives found a home at the Ransom Center in Texas.

    We had our first glimpse into Wallace’s creative process in 2005 with our acquisition of the papers of Don DeLillo. Unexpectedly, the archive included a small cache of letters between Wallace and DeLillo, a correspondence initiated by Wallace when he was struggling through his colossal novel, Infinite Jest. Wallace’s letters show a writer who was deliberate, funny, and often uncertain, but most clearly, they show a writer who took painstaking care with his art.

  • The Boston Globe has Adrienne Rich on Elizabeth Bishop’s The Complete Poems, 1927-1979. Of Bishop, Rich says:

    In particular I am concerned with her experience of outsiderhood, closely—though not exclusively—linked with the essential outsiderhood of a lesbian identity; and with how the outsider’s eye enables Bishop to perceive other kinds of outsiders and to identify, or try to identify, with them. I believe she deserves to be read and valued not only for her language and images, or for her personality within the poems, but for the way she locates herself in the world.

  • Meanwhile, the Times of London has Jeanette Winterson on Lyndall Gordon’s new book Lives Like Loaded Guns: Emily Dickinson and Her Family’s Feuds. Winterson cuts right to the chase, as always:

    This most reclusive of poets, unmarried, virtually unpublished in her lifetime, knew who she was and fired that knowing through her poetry. Everyone had a stake in inventing her, including her brother, sister and sister-in-law. Her wild truthfulness was unsettling; it was easier to turn from the authenticity of the poetic blast towards a fictional person who could be offered up as a softer, simpler explanation.

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    Virginia Woolf Speaks

    A seven minute recording of Virginia Woolf (with thanks to Paul Lisicky for the re-tweet). Paul says she doesn’t sound like the Woolf in his head, but I’m afraid she sort of does sound like the Woolf in my head. Or some combo of this and Vanessa Redgrave’s Mrs. Dalloway.

    It took me a long time to come to love Woolf’s work. If you’re not a fan, I recommend the letters — she’s scathingly funny and an unrepentant gossip.

    MOBYLIVES » “Words, words, words” as Hamlet lamented…..

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    Sunday Book Reviews

    It’s Sunday, which means the intertubes are full of book reviews. Here are a few links to things I’m thinking about or wanting to read.

    Patti Smith: Just Kids: I’ve been really riveted by the press for this one. I love Patti Smith — she’s so absolutely who she is and she’s so relentlessly followed her dreams.

    Amy Bloom, one of my all-time favorite writers has a new collection of short stories: Where the God of Love Hangs Out: Fiction and it’s reviewed in the LA Times.

    A couple of years ago I stumbled across Andrea Levy’s novel Small Island by chance and raved about it to everyone I know. She’s got a new book coming out in April, The Long Song. There’s also a terrific interview with her in this weekend’s Guardian UK in which she says:

    She can tell you, almost to the day, when she was injected with the creative adrenaline that produced Small ­Island – it was 1997, and she was judging the Orange prize.

    “I suddenly understood what fiction was for,” she says. “I had to read books that I wouldn’t have necessarily read. I had to read them well and I had to read them in a short space of time. Back to back. Annie Proulx and ­Margaret ­Atwood and Beryl Bainbridge and Anne Michaels – boom, boom, boom. And I started to realise what fiction could be. And I thought, wow! You can be ambitious, you can take on the world – you really can.”

    Poet Christopher Reid just won the Costas Prize for his collection, A Scattering, which is about losing his wife of many years. He’s interviewed at the Guardian, where this quote naturally struck me:

    Reid denies, though, that writing A Scattering was therapeutic. “The problem never goes away. Writing does perhaps help put your own feelings in order. Forster wrote in Aspects of the Novel, ‘How do I know what I think until I set down what I say?’ That’s a very common experience: thoughts get form in the writing of them down. I was conscious of the different stages of grieving – that is what the book is about.”

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